“The best part about Game of Skate is getting the community together for a fun day of skateboarding”.
– Stormy Pruett
Yep. That’s what Game of Skate is all about. Twenty-one times we have amassed the local skate scene into the Ambush parking lot in an effort to bring everyone together for a friendly competition. Sure, this one was a little smaller than some of the other Games of Skate in the past. But, the vibe was one of the best. Those that came were there for the skateboarding, camaraderie, and, of course, to see who can dominate the flat ground. And, the one thing that was proven throughout the day is that everyone has been getting really, really good at skateboarding.
Congrats to our winners:
GOS 21 Beginner Division: 1st Place: Stanley Jackson 2nd Place: Gilberto Flores 3rd Place: Austin Bayne
GOS 21 Intermediate Division: 1st Place: Tito Lara 2nd Place: Anthony Brown 3rd Place: Will Carlan
Our latest installment of the Ambush Alumni series features Bobby Sattler. Bobby, just like many of our esteemed alumni, started as your average shop rat gripping boards and vacuuming floors. Bobby was with us for 4 years, from 2000 to 2004. From the beginning, Bobby had a knack for graphics and design. This began in a high school class where he had access to a lab full of G4 Macs, which is impressive for any public school, especially back then. After graduating high school and taking a semester off to enjoy himself, Bobby found himself enrolled in school again at North Metro Tech (now part of Chattahoochee Tech) for Visual Communications-Print Design Specification.
“After I started college, Chuck (the owner of Ambush) presented an amazing opportunity to me. One I’m forever grateful for. The offer was to work on all the graphics for the boards, tees and events and the BuyWake stuff, which had recently launched, while also working the warehouse side with Eric, receiving and entering inventory and making deliveries to the two shops (Kennesaw and Gwinnett). That was such an invaluable time and experience for me—to be able to go to college for design and work as a graphic designer for Ambush at the same time.”
Pictured Left to Right: Bobby, Anna McFarland, Lee Elliott, Juston Tucker, and Kit Furderer
Alecia Sundberg and Bobby
Bobby Crooked Grind
Bobby With An Ollie
Ryan Kearns and Bobby
As he became closer to finishing his degree here in Georgia, Bobby wanted to continue his learning about design, and finally settled on an option to continue his education down in Florida at Full Sail University.
“January 2004, I moved to Florida. The program at Full Sail was quick and intense. It was a two-year degree, squeezed into a fourteen-month period. Luckily I found a nice balance of school and social life. School all day and night—creative explorations in the bars afterwards. March 2005, I graduated from Full Sail.”
Bobby’s plan after college was to make it out to California to be at the heart of the board sports industry. By the time he had graduated a few of his friends, including none other than fellow Ambush Alumni Juston Tucker and Ryan Dearth, had already made the trek out west and settled in Long Beach, California. He had been plotting ways to get all of his belongings cross country when an extremely unique opportunity arose.
“While in Florida, through mutual friends, I met another good, longtime friend, Sam Ratto. At the time Sam worked for DVS and—among many things—was the captain of the Big Red Bus—the company’s event/marketing RV. Sam also lived in Long Beach, CA. I called Sam—knowing he was going to be back in Florida soon for an event with the Big Red RV—and pitched him my idea. I would rent a trailer and when he was done in Florida, I would hop a ride with him in the RV across America—with a tea leaf green Saturn in tow—to California. June 2005, a day after turning 21, I moved to California.”
California Or Bust
Shortly after moving into a 2 bedroom apartment with 3 other guys, all from across the country, Bobby learned of an opening at Sole Tech (eS, Emerica, etnies, etc.), and with the help of Dearth and some of his connections was able to get his resume in front of the right people.
“October 2005, I began working at Emerica. I was at Emerica for about a year, working on different projects like campaign development and design, catalogs and photo shoots.”
Emerica Ad By Bobby
While at Emerica, Bobby met Craig Metzger. Craig and Bobby hit it off, and would eventually collaborate together on a different project. Bobby left Sole Tech around the same time as Craig, and years later Craig became the Creative Director for Element.
“At the time I was working at Quiksilver, in the marketing art department, he called to see if I would be interested in coming to work with him at Element as Sr. Graphic Designer. March 2008, I began working at Element.”
At Element, he worked on the design and art direction for marketing and sales to develop and design ad campaigns, promotions, in-store artwork, sales catalogs, photo shoots and many other projects. After two years, he was named Art Director, in charge of seven categories: two men’s apparel categories, two footwear categories, the juniors line “Eden,” boy’s apparel, and skate hardgoods. Much of the type of the work stayed the same, but he was now the lead, with a team of two designers, for global art direction othat wasn’t related to product—like board and t-shirt graphics. An added perk to the job was developing campaigns and organizing photo shoots around the world including Alaska and Chile.
Bobby was also in charge of developing, designing, and executing marketing initiatives like Element’s video Future Nature. Working with marketing team, video guys, and team manager, they envisioned the overall theme of the video. From there all of the visuals had to be designed for everything, the logo, print and digital campaign, promotional posters, on-screen graphics and titles, DVD packaging with a photo book. Future Nature premiered in 2012 and proved as a jumping point for the careers of many of the Element amateurs that were involved.
Element Future Nature Ads
While being forever grateful for the opportunities to work and collaborate with such talented and creative people over at Element, one constant feeling throughout all of his awesome experiences working within the skateboard and board sports industries was to have his own design studio.
“The more time that passed, the stronger the desire became. So, I put together a rough timeline in my head about when would be a good time to make the jump. This also gave me time to put some money aside, to support myself at the beginning. May 2012, I started my own design studio. Going out on my own was terrifying and exciting. When I started, I had one client, Santiago Cycling. A bicycle shop with a focus on road cycling. Other than that, I was trying to figure it all out.”
When asked about his favorite piece or project that he worked on, Bobby’s response was the photo book he worked on with Brian Gaberman, a very well-known and established skateboard photographer. Over a period of about six months, Bobby and Brian worked on everything from filtering out photos to physical size, paper quality, cover design, materials, and the layout and sequencing of all the photos. The book, entitled A Life in Transition, came out at the end of 2013. Check it out!
A Life In Transition
Here are a couple of examples from Bobby’s extensive and impressive portfolio. Find out more about what he’s been up to here.
Skateboarding, tattoos, and art have been culturally forged together through decades of avant garde contrarianism, a blunt questioning of societal norms, and a passion for personal expression. The relationship between skateboarding and tattoos can be seen everywhere from board graphics to the amount of ink on the archetypal skater’s body. As skateboarding, art, and tattoos weave in and out of each other’s existence they leave lasting impressions on one another. In Atlanta, none have done that more than Ambush Board Co., Craig Foster, Jules Woods, and Skinwerks Tattoo.
Craig Foster has been in and around skateboarding since 1983. As a young skateboarder growing up, Craig became enamored with the art that adorned the bottoms of skate decks in the 1980s. He still remembers his first few boards: a Schmitt Stix Lucero, Schmitt Stix Grosso, and a Vision Gator. To this day, Craig still drops by the shop regularly to take mental inventory of the latest graphics. The parallels between skateboarding and tattoo artists are apparent though they may not be obvious. Skateboarding has always been about the skater, his board, and what he does with that board. Creativity, style, aggression, and personal expression are hallmarks of a great skateboarder. It’s what sets skateboarders apart and makes you watch the latest web clip over and over again. The same can be said for a tattoo artist and his tattoo gun. A great tattoo artist can put all of his emotions into a design that is inspired by all of yours.
Craig’s personal love affair with art and skateboarding hit a crossroads in 1995 when he started tattooing full time. With a family to support and his only means of making a living laying in his ability to use his hands, Craig put down the skateboard and started focusing on his craft. When you’re a tattoo artist, a broken wrist can put you in the bread lines. It was this unescapable fact that motivated Craig to push his art to greater heights. It was then that Craig began to make a name for himself in the Atlanta tattoo scene.
Ambush and Craig first crossed paths in 1997 when Craig inked up Ambush shop rat and team rider, Chris Delarm. Craig drew a more realist adaptation of Mike Vallely’s Elephant design on the back of Chris’ shoulder. He quickly became known as THE guy to get a tattoo from by nearly all those affiliated with Ambush. Over the years, Ambush employees Brent Houle, Paul Lizon, Charles Chatov, Alecia Sundberg, Cameron McLane, and John Turnbull have all had work done by Craig.
Jules Woods got his first tattoo at the age of eighteen by an artist named John Mihalic. As so often happens in the intimate setting of getting a tattoo, John and Jules became friends. Jules was making art on his own when John asked him to learn the tattoo trade and apprentice under him. Jules’ skills developed quickly and within four months of graduating high school, and less than a year after getting his first tattoo, Jules began tattooing full time.
Jules bounced around tattooing in shops in Mississippi, Alabama, Florida, Virginia, and Tennessee before making his way to West Georgia. In his thirteen years as a professional tattoo artist, Jules has worked in twelve shops picking up influences along the way. Craig and Jules met through a mutual friend named Josh Prentice before he passed away in 2007. Craig and Jules became close while working at a tattoo convention in Richmond, VA shortly after. The shop Jules worked in at the time put on the convention. Their budding friendship became a professional partnership when Jules moved down to Carrollton and became part of the Skinwerks team in February of 2010.
Whereas Craig’s tattoo style in undeniably new school, Jules’ work is more neo-traditional. Jules likes to stylize conventional tattoos with more realistic characteristics. Ask Craig to ink you up with a old-style pirate ship and he will flat out refuse. Request that from Jules, and you’ll get a more realistic and detailed version of a grimy, haunted clipper.
Jules’ philosophy is simple: make art that would look good as a tattoo and make tattoos that would look good as art. After walking around Jules’ workspace, it’s easy to see how he blurs the lines between a living room piece and a chest piece. Craig may be the innovator, but Jules definitely has the talent of a classical artist with a penchant for the gritty.
Craig’s art is a modern nod to a simpler time when tattoos didn’t necessarily have to mean anything. It’s great for tattoos to tell a story, but only if that story isn’t chock full of BS just to pick up chicks. Craig’s tatts incorporate “whimsical characters” that “laugh with a bit of sarcasm”, bold colors, and a strong light source. If you know Craig’s work, you can spot it on a swath of skin from across the room.
It was Craig’s memorable style, ability to perform under pressure, and a recommendation from Jesse Smith (Inkmaster Season 2) that landed Craig a spot on Inkmaster Season 3. Craig’s dichotomous experience on Inkmaster was replete with both Yin and Yang. As you might expect, reality TV is not exactly real. If a producer needed Craig to have a bad day, they would send in a client to intentionally push him to madness. The producers sculpted reality into the outcomes that they felt would make for good TV through editing and creating situations from nothing. Craig’s goal in agreeing to do the show was to open viewers’ eyes to what a genuine tattoo artist was actually like. Knowing from watching the previous season, Inkmaster was, either inadvertently or by design, portraying tattoo artists as obnoxious, cocky, hot headed, Jersey Shore types. Craig wanted to show America and beyond that this was not the way he viewed the tattoo industry and wanted you to experience his world through his actions on the show. The producers eventually saw the wisdom in his approach and let him do his thing.
Since Inkmaster, Craig has been continuously bombarded with appointment requests. In the months after the show aired, his waiting list exceeded 200 people. At one point, Craig had to stop taking on new customers.
Craig had always had a creative itch that seemed like it may never be scratched. It’s not often that clients offer up their skin to your personal ambitions. Most customers micro manage the tattoo process to the point of nausea for the artist. Craig needed an outlet to do something fun and on his own terms. What came out of it was Snactoos. Snactoos is a playful mix of junk food and comic book characters. In Craig’s mind, sushi is always possessed, ice cream and corn dogs are maniacal, and doughnuts want to be your best friend. And those quirky Snactoos characters have caught on making a nice little side business for the Inkmaster. He has even put a few on some people’s skin.
Craig & Lee
So, in celebration of our two distinct yet congruent brands moving in harmony with one another over the years, we announce the Ambush x Skinwerks collaboration. Craig Foster has created a signature Ambush Board Co. Snactoo to go along with his Mr. Yellow Tail design. Both are featured on a pair of Ambush skateboard decks and matching tee shirts. Jules laid out his Torch art on a baseball tee and his Skull piece on a tee shirt. Both have complimenting decks as well.
We hope you enjoy them as much as we enjoyed bringing them to you. LTD Shirts available online NOW!
This past Saturday, September 13th, 2014, the Kennesaw Skatepark hosted its very first Street League event. Street League was kind enough to send out 4 of their top Pro’s, including Paul Rodriguez, Ishod Wair, Tom Asta and Chaz Ortiz, to come and put on a demo for the local crowd. Oh, and our boy Justin Brock was out there having fun too! Watching these guys on TV is one thing, but witnessing their talent in person is jaw-dropping. Big thanks to Street League, Cricket Wireless and the Kennesaw Skatepark for making this all happen! Check out some photos and our recap video filmed by Matt Mazza.
The Ambush family strives to build and cultivate the local community and give people an opportunity to do what they love. As stated in the previous Ambush Alumni post with Ryan Dearth, we have been so lucky to have such an amazing group of people come through our doors and work with us. Allow us to introduce another one of them to you!
Juston Tucker (right) with fellow Ambush alum, Bobby Sattler (left)
Meet Juston Tucker. Juston grew up 20 minutes from the shop in the Acworth area, and worked for us between 2000 and 2002. Shortly after leaving Ambush, Juston moved to California and began working in the marketing deprtment for Podium Distribution. Podium Distribution, at the time, was the home of DVS, Lakai and Matix. Juston left marketing and now designs footwear full time. When asked about how he made the switch from marketing to footwear design Juston said:
“I was working in the marketing department at Podium and one of my good friends was the design director for footwear. He asked me to help color up some shoes for the season. Everyone really liked my vision, and my approach, so they offered me a full-time footwear job a few months later.”
Since then, Juston has designed shoes for DVS, Lakai and Element. This has given him the opportunity to work directly with Jeron Wilson, Kerry Getz, Keith Hufnagel, Chico Brenes, and Ibn Jasper. In 2011, Juston launched Diamond Supply Co. Footwear with Nick Tershay (Owner of Diamond), and is now the Senior Footwear Product Manager there at Diamond.
We asked Juston, out of all the shoes he has worked on, which was his favorite:
“My favorite shoe I’ve worked on, ironcially, was one that never came out… I was working on the HUF 6 while at DVS back in like ’08-’09. It was this full air bag, boat shoe inspired runner concept. Before the sample ever showed up from asia, Keith left DVS to launch his own footwear line (HUF). Besides that I would say it has to be the Diamond Supply Co. Jasper. The Jasper is a shoe I worked on with Ibn Jasper, who is part of Kanye West’s creative team DONDA. Then maybe the Folk Mid which is a new shoe that we released from Diamond just last month.”
The Jasper by Diamond
Another Jasper Colorway
Folk Mid by Diamond
While working with us Juston made some connections and friendships that will last a lifetime. During his years at Ambush, Juston met Jim Leatherman. Juston and Jim teamed up in 2010 to create PORT. PORT is a boutique-style store in Long Beach, California, that sells the finest in skate/surf lifestyle apparel and accessories.
“We wanted to create a store/brand that was just a nice mix of skate/surf lifestyle, no hardgoods, just clothing, and select accessories,” says Juston.
In early 2013, Juston stepped aside and let Jim run the show over at PORT, so that he could focus more on his footwear career and family.
“I owe a lot of my professional success to Ambush; Lee & Eric really opened my eyes to the action sports industry. I’m very thankful for the opportunity Lee gave me 14 years ago, and all the experiences we shared together. I was always treated like family. I’ve never told him, but Chuck also deserves a lot of the credit for my career. All the business knowledge he taught me when I was just an 18-19-year-old kid and the trust he instilled in me is something I’ve never forgotten. Knowing the business side of this industry has helped me tremendously throughout my career. We had a really amazing crew of people working at Ambush during my time there, Bobby, Dearth, Kit, Dennis, Anna…Bobby and Dearth are my two best friends and we have continued to push each other in our careers ever since we left Ambush.”
Juston has come a long way since his Ambush days. Here is a little advice and his biggest lesson learned since leaving little ole Acworth.
“Follow your dreams, and have fun. Never burn a bridge, this industry is very small once you are inside of it!”
Thanks, Juston. Cheers!
Juston (middle) and his fellow Ambush Alumni friends, Bobby Sattler (left) and Ryan Dearth (right)
Since opening our doors in 1997, we have been blessed with a revolving door of badass staff. While some have stayed to push Ambush further in its evolution and to help cultivate the next group of young up-and-comers, others have gone out on their own and accomplished some pretty rad sh!t. This is an ode to those who used Ambush as their career launch pad. Whether you recognize them or not, their presence was highly valued during their time spent at Ambush…and we’re hyped that these guys are out there making moves and doing big things.
Ryan Dearth grew up skateboarding and filming his friends here in the Atlanta area. He started working at Ambush in 1999, when the store was still located in the shopping center across the street from its current location, right next to Sidelines and whatever that laser tag joint was called at the time. After his time at Ambush and years spent filming and submitting footage to 411VM and ON Video, Ryan left Georgia for sunny California. Using some of the connections he made from working at the shop and sending in his footage, Dearth had gotten a job in the DVS warehouse and worked his way into an in-house filmer/editor position for DVS and Matix.
It is no surprise that the skateboard industry rivals Fort Knox when it comes to entry or employment. Almost every kid’s dream as soon as he/she stepped on a skateboard was to become a professional skateboarder. For some..that dream still lives, but many of us find out that the ability and talent required may exceed our physical capabilities. Without losing the passion or love for skateboarding, the next logical step would be to aspire to work for a company related to skateboarding, whether that be board, shoes, or clothing companies.
I asked Ryan to give any advice for someone looking to follow a similar path.
“Starting off, make a dope shop video and pass it around to the mags, the Berrics and any of the shop riders’ sponsors. Study videos. Pay attention to angles and editing for ideas. Make sure you’re settings and filming are on point. Film anything and everything. It’s like anything else you do, the more you do it the better you are. If you work for a shop, take advantage and create your own content for the site, i.e. trick tips, parts, board set-ups, contests, video release parties with interviews (it sucks to do, but its a learning experience). Do online tutorials in your spare time, i.e. editing, color correcting, effects, lighting, audio, video…if it’s truly your passion do what you can to be great at it in all aspects.
You pretty much have to move to CA to be a skate filmer…. Having an outgoing personality is a plus. Put yourself out there to make things happen. Just moving to CA isn’t gonna make it happen, unless you already have an in somewhere or with someone.
A lot of what got me to where I am today was on-the-job-training and working with other people.”
The saying “It’s all about who you know” is completely true.
Unfortunately, there is no sure-fire way to get a cool industry job. One recurring theme after asking a bunch of people who work within the skate industry is that most of them feel as though they were in the right place at the right time. The only way for that to happen is to put yourself in enough situations where that kind of opportunity can arise. Basically, pack your bags, you’re going to California.
There are not many things in life more exciting than skate trips with your friends. The thought of being free from normal life and hitting the open road is enough to get anyone’s juices flowing. Choose your destination, load up the car, collect gas money, and BOOM you’re off to make memories that will last a lifetime. After more than a decade of travelling the country with my friends, I have compiled a list of essentials for your skate trip, outside of the most obvious.
DUHHH. Everyone should have one somewhere in their car or bag at any given moment. With that said, skate tools are similar to lighters in the sense that they are hard to keep track of when you let a bunch of people use them. They seem to come and go as they please and the universe has a funny way of bringing them back to us, in the form of someone else’s skate tool. Don’t get caught slippin’ at some spot hours away from the nearest skate shop without a tool.
Lets face it, skateboarders (especially when on the road) are disgusting creatures covered in dirt and grime. It helps to try and cover up your stench as much as possible. No one in their right mind wants to have a bunch of dudes crashing on their floor when they all smell like feet and farts.
3. iPhone or iPod Stocked with Music
While this one seems to be another no-brainer, you’d be surprised how many times I’ve been driving through rural areas and had no cell phone service, and a very limited supply of tunes. Nowadays kids have a tendency to just use YouTube or similar music apps to play music, but when you’re outside of your coverage area, all you have are shitty radio stations. If you’re lucky, someone may have a CD or two laying around from ancient times. Despite your parents’ “nationwide coverage” plan you’ve been mooching off of, cellular dead zones exist all over the place from the mountains of Tennessee all the way to New Mexico and Arizona’s lonely desert highways.
In the words of MC5, “Kick out the Jams, Mother F*****s!!” These things are dopest things since sliced bread. They give you the opportunity to bring your tunes with you wherever you go, wirelessly. Take those headphones out, ya little shit, we’re jammin’ over here. I give all the credit to the Muska for this one.
5. Foam Roller
Some of you may or may not be familiar with these little angels sent down from skate heaven. Skate trips are very rough on your body, and the older you get the more painful they become. Taking some time in the morning or at the spot to roll out some of your sore muscles accumulated from long hours of skating and sleeping on hardwood floors can really make a difference. Your body will thank you later. Rob Welsh knows what’s up.
Let me know what’s on your skate trip checklist in the comments below.
In the wake of losing a loved one, how do you collect your thoughts enough to create a clear and concise message? The feelings come in waves. One second your smiling and reminiscing on great times shared and the next your tear ducts swell and a slightly darker shade of life looms over you. I could sit here all day typing and then backspacing trying to make this perfect, but simply put Dustin Hart was, nah fuck that, IS the man. So much to celebrate in regards to his life. So many great accomplishments in such a short time.
Whether you had known him for years, or you had met him once in passing, his heart was pure and it was apparent from afar. Dustin had many friends from all walks of life, but never picked favorites. When it came time to get in the car and go skate, if he chose to ride with you it made you feel special. Just his presence alone would lighten up even the darkest of moods or situations. He looked out for everyone. He would give you the shirt off his back, his last dollar, hell he would even get in trouble with his parents just so he could have you stay the night and not have to drive home.
Skateboarding has a funny way of exposing a person’s true character. The connection you share with someone standing right next to you, in the trenches as we like to call it, at the edge of total physical and mental exhaustion is so deep that everyone involved will remember those times for the rest of their lives. When you want to give up, your friends are there to push you that extra inch because they know you would do it for them. The countless hours you spend sitting in cars on the way to the next spot, sleeping on random floors in distant cities only because you saw some spot in a video, all of these experiences teach you certain life lessons that your average person doesn’t learn until much later in life, if at all. The comraderie and bond shared between you and your friends is thicker than blood. I couldn’t be more thankful that I got to share those bonds with Dustin.
Dustin Hart was more than just that scrawny kid from the suburbs of Atlanta. He was a household name for skateboarders in the Southeast. Dustin produced video parts packed full of mind blowing tricks that grown men should be doing, not some teenager. Those video parts received not just local attention, but national and even international recognition from skateboarders all over the world, and this was all before the kid even had a driver’s license. His reputation preceded him, but for someone outside of skateboarding, you would have never known. He was the epitome of humble. While having all the bragging rights in the world, he could have cared less.
Having known and been close to Dustin for the better part of 10 years, this is one of the hardest things I’ve ever had to do. This is me sending off a hero, a best friend, a brother, a true warrior. Cheers Dustin. It’s only goodbye for now, not forever.
Watching skate videos is a part of every skateboarder’s life. Everyone has a taste of their own and not everyone can agree on which video is the best. One thing is for certain though, local videos definitely hold a little more value than your average pro video. Although the quality of the skating within the video may not always be as good, there is always something special about watching video parts of those older guys you see around town all the time at all the spots you love to skate. Skate videos have been around for a long time. In an effort to bring you a broader timeline of epic Atlanta video parts much larger than my own spectrum, I had to reach out to some of the more seasoned veterans in the game. These first two are not technically local videos, but they were among the first few times Atlanta skateboarders had big time video parts.
1.Andy Howell in New Deal’s 1281 (1991) – This part came out when I was still wearing diapers and sucking on my thumb, but to others a little older than me it changed everything…
“The main one for me was Andy Howell in 1281. I had read his Transworld pro spotlight about a hundred times and my pen pal buddy from up here told me to check out the New Deal 1281 vid when I could and said there was tons of Atlanta footage in Andy’s part. I still watch that part today. It was the first time, being from Jones County, at 13 years old that I “had” to go skate in Atlanta somehow… Skating was starting to transition at that time. It was very rough filmed and by looking at it today, kinda sloppy skating. But the song, his clothes, the switch and nollie shit he was doing was beyond what anyone else did. It wasn’t the clear day school yard that Vallely and Templeton skated. It looked and seemed a lot cooler than the other footage in that video. Plus, it was “real”. Like, I knew where Atlanta was. F*****g 2 hours up the freeway. California looked awesome, but it may as well said Russia. It wasn’t feasible. It seemed like story land stuff.” – Jeremiah Babb of Bender Hardware
2. Daniel Powell in Underworld Element’s SkyPager (1993) – This Daniel Powell part was also a bit before my time, but was suggested to me by a couple different sources for really putting Atlanta on the map. With innovative tricks, great style, and a serious eye-opener at the SunTrust building right off Peachtree Street how could anyone deny the awesomeness of this part? Turn the volume up and feel the 90’s.
3. Chris Head in Raped Inc.’s Conspiracy (1998) – In the 5 year gap between the previous part and this awesome Chris Head part, the quality of videos changed quite a bit. People really began to figure out how they wanted skateboarding to look and how it should be filmed. I asked Matt Creasy, a local skateboarder/filmmaker, what his favorite Atlanta parts are and he answered with this… “Chris Head or Jeremiah Babb in the last Raped video. That was the first time I saw people from Atlanta on par with the rest of skateboarding.”
4. Jeremiah Babb and Graham Bickerstaff in Ryan Dearth’s Dirty South (1999-2000) – These are my two personal favorite Atlanta skateboarders. I was introduced to skating a year or two after this video had come out. I remember seeing this video for the first time and having the hardest time grasping the concept that not only were these dudes killing it so hard, but they were skating spots that I had access to. It brought to mind the idea that, “If they can do it, so can we.” It was my first window into what Atlanta skating was all about. Good skating, good times with no room for bullshit. Graham 360 flipped over the rail at BellSouth, who does that!?
5. Mike Devine in Ruin Skateshop’s Nouveau (2004) – I grew up watching skate videos like Zero’s Dying To Live, Flip Sorry and many other typical hammer-style videos of the early 2000’s, so when Ruin Skateshop’s video Nouveau came out I was blown away. The first reason being that it was another amazing local video featuring guys I had become friends with over the years and the second reason being that it was the first time I realized that there were other styles of skating that appealed to me rather than just your average stair and handrail skating. Mike Devine has a really clean and unique style that is very pleasing to the eye. This part along with the whole video is worth a gander.
6. Justin Brock and David Clark in Matt Swinsky’s Southern Comfort (2007) – These parts, to me, are truly amazing, not only for the skating, but this was the first time I got to see first hand in person what it really takes to film a gnarly video part. My friends and I were lucky enough to be around for quite a bit of this video, on the session or at the party afterwards. We were the younger kids trying to be cool like those older dudes, and this one set the bar pretty high for us. Justin is a skateboarder’s skateboarder, and David skates Atlanta like we all wish we could. They both definitely left their mark on a lot of Atlanta spots with this one.
As everyone knows, June 21st is National Go Skateboarding Day. We at Ambush wanted to make sure that this day gets the proper recognition it deserves. And, we wanted to give all skateboarders a day of enjoyment. So, the Ambush crew headed up to Kennesaw Skatepark. Video game booths, misting stations, pizza, and the RedBull MTX truck were just some of the things providing the entertainment that day. Prizes were given out for best tricks and random skateboard trivia questions that were answered. Well, I don’t wanna bore everyone with words, so here is a little montage that recapped the whole day! If you missed it this year well we look forward to seeing you next year!
Ambush Board Co. is a universally recognized global leader in Board Sports retail. Founded in 1997 in Kennesaw, Georgia, Ambush is owned and operated by a core group of devoted skaters, wakeboarders, and snowboarders who are deeply invested in the Board Sports community, and has evolved by staying true to their essential principles of Service, Knowledge, Integrity, Commitment, and Passion. Ambush always has been and always will be unyielding in their collective efforts to push the progression of Board Sports retail.
Ambush Board Co.
2555 Cobb Place Ln, Kennesaw, GA 30144
Phone: (770) 420-9111
Business/Creative Office: 1690 Roberts Blvd, Ste 105, Kennesaw, GA 30144 | (800) 408-9945 or (770) 406-6568
Warehouse/Distribution Center: 2750 Barrett Lakes Blvd, Kennesaw, GA 30144